#Writing #Music Monday: E-world by zero-project

e-world_front_coverChanging gears from the brutal techno of the last two weeks, this week I’m bringing you, once again, Greek composer Zero-Project.

I confess I have a weakness for a certain type of Creative Commons album: I really like it when the album is an attempt to evoke an entire world, each track a different facet of the mindspace, in one way or another. I particularly enjoy it when it is a forward-looking world. Previously shared examples include the recent cyberpunk by bod and the much less recent Life in Bitville by Jaime Heras (among many others).

You can tell just from the title that E-world (actually, E-world: The Ultimate Edition) fits that prejudice of mine quite nicely.

It is an exploration, a world, and a collection of aspirations all in one, and delightfully optimistic. (One of the vocals sampled is Martin Luther King, Jr.’s “I have a dream” speech, on an early track.) (Of course, another vocal sampled repeatedly is Orson Welles’s War of the Worlds radio broadcast, so it’s not all puppies and rainbows.)

It is a complete — and, happily, lengthy — experience. More friendly and relaxing than the techno of the past few weeks, so if nothing else, a pleasant change of pace.

Download E-world: The Ultimate Edition free from Zero-Project’s own site, or give the artist five bucks and get lossless quality downloads.


Creative Commons License
E-world: The Ultimate Edition by Zero-Project is licensed under a Creative Commons Attribution 3.0 Unported License.

#Writing #Music Monday: Limitless by Sirius

coverBoy, my mood swings can be intense.

And I don’t even mean that I’m posting this a day late due to depression. (Though that might be a small part of it, too.)

No, what I’m actually referring to is the fact that I went through about three other albums in my head, each a jarringly different genre, over this past weekend while trying to decide what to post for Writing Music Monday this week. I was tempted by some jazz, then some classical, then a solo piano album.

And yet I landed on techno. Not my favorite genre, not by a long shot, yet here I am. Go figure.

Make no mistake, this is dance club, repetitious, throbbing techno.

And yet, it’s also really good. I hear in it traces of the ’80s-style electronica I adore, and even like the techno clichés as they happen. Instead of being the sort of dance club music that seems to insist on getting up in your face and being a rude boor, it mostly is content to do what it’s doing without all the posturing designed to provoke reactions. It’s putting music together, more so than simply expressing attitude and hoping for reaction, even negative reaction.

I don’t know anything about Sirius, the artist who made this album, but Limitless is his (her?) most recent release on Jamendo, and he has music going all the way back to 2007. So far back that the first one has a Generation One Creative Commons license, one of the old, confusing ones. Apart from the body of work, and the Jamendo profile saying that he’s French, I know nothing.

But the work is good. The work is very good. Good enough to overcome my bias against techno despite making no attempt to disguise its techno-ness.

Somehow, it just hits my mood right this week.

Download Limitless by Sirius free from the Internet Archive.


Creative Commons License
Limitless by Sirius is licensed under a Creative Commons Attribution-ShareAlike 3.0 International License.

#Writing #Music Monday: It’s Better To Burn Out Than To Fade Away by Re-Drum

CoverGoing a bit outside my comfort zone here, and possibly for the rest of the month.

Re-Drum is a French musician/d.j. who focuses a lot on the variation of techno called “house” (a distinction which escapes me). This album is the one I’ve listened to enough to be familiar with, and it’s not generally the sort of thing I like. Very repetitious and loop-y, mixing in spoken word in ways that most days I’d generally find distracting than writing-trance inducing.

But I’ve listened to this one enough that it doesn’t rub me wrong as background music, if I’m in the right mood.

That’s the thing though — it’s not easy to love this one. And it is easy to be irritated by it.

So, as stated, this one is outside of my usual comfort zone.

The only commentary by the artist I can find regarding this particular album is “This is a collection of really deep tracks”. So, unusually, he let’s the music speak entirely for itself.

About the artist himself (real name Léo Urriolabeitia):

After being heavily influenced by 70′s music, Zappa and Minimalism he decided to imagine a place to share sample based music with an experimental edge. That was the connection of past and future music, something that hasn’t been found on the web yet. While still DJing in Toulouse, Re-Drum is now more focused on Live performances and various Audiovisual experiments/Short Movies/Animations.

Download It’s Better To Burn Out Than To Fade Away free from Jamendo.

(You can also get the album under a more restrictive, non-Free Culture CC BY-NC-SA 3.0 License, from Bandcamp.)


Creative Commons License
It’s Better To Burn Out Than To Fade Away by Re-Drum is licensed under a Creative Commons Attribution 3.0 International License.

#Writing #Music Monday: Homeland by SBUT

Homeland CoverI often post an album saying “It’s kind of this, but also a bit of that, but not really like either too much.”

Not this one. This is flat–out dance club techno. So if bass heavy thumpathumpa that’s meant to be danced to won’t get you writing, you probably want to pass this one by.

But — and regular readers know I don’t generally say this about techno — this is really good!

Seriously.

I dance in my chair to this, and look around for hot girls in tube tops. It’s pro, it’s good, and it gets you moving.

SBUT is (yet another) German composer and, not reading German, I can’t tell you too much about him other than that he was born in ’85 and his music is really damn good. He’s been releasing music through Jamendo since 2009, though I’ve only just discovered him (I am a techno-phobe only in the musical sense). He might have begun dj-ing and producing music as far back as 2000 (again, my interpretation of his German bio, so I could be wrong).

Homeland is, at the time of this writing, his most recent release. It throbs. It thumps. It loops and builds and tangents and circles back.

And it’s just really, really damn good. (Especially the “Homeland Girls” track. If you don’t like that, you don’t like ice cream.)

Download Homeland free from Jamendo.


Creative Commons License
Homeland by SBUT is licensed under a Creative Commons Attribution-ShareAlike 3.0 International License.

#Writing #Music Monday: Paint the Stars by Eddy J

Paint The Stars CoverHere’s another odd one that I can’t classify, but the artist’s tags of “ambient”, “chillout”, “electronic” and “trance” only scratch the surface of where this album takes you.

It’s a moody soundscape with some singing, some chanting, and lots of other bits of moods and things I don’t even know how to describe.

Eddy J (AKA Colin Edward Johnson) is a Creative Commons artist I never encountered before listening to this album for Music Monday, even though he’s released four full albums (and several singles and EPs) since early summer of 2014. He seems to be a believer in Free Culture and open licensing, since my download of this album is all CC BY-SA, and he has since changed several tracks to attribution-only.

But the music comes first, and the music is wonderful. I tend to think of modern electronic stuff as dour and harsh, and this album goes completely against that. It is aspirational and uplifting, exploratory and adventurous. And many other adjectives that won’t mean anything until you sit down and listen to all fifty-seven minutes of it.

So do that. Right now.

Paint the Stars can be downloaded free from Jamendo. (Although Eddy J has Bandcamp and SoundCloud accounts, this album appears to be exclusive through Jamendo.)


Creative Commons License
Paint the Stars by Eddy J is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.

(As noted, certain tracks are in fact CC BY 3.0 licensed, but it’s up to you to find which ones.)