Here’s why it was made:
Keep on Groovin´ was made in [memory] of Ezequiel Iturrieta, one of my best friends who [passed] away [recently], and was the principal inspiration of it. The meaning of Keep on Groovin´is the friendship, love and respect for all, and a motive for continuing.
It sounds like it should be a somber affair, but it’s not. It’s fairly mellow, but much more upbeat than last week’s share from the Agustin Strizzi Group. Celebratory, even.
And, like last week’s album, it has a distinctively 1970s feel to it.
In fact, it was only listening to this a week ago that I realized something. I am sometimes curious why I am so open to a kind of music that, on the face of it, I should hate. This type of jazz/funk/fusion really runs counter to my tastes in a lot of ways, and the more outre examples of the genre leave me cold. Yet I can listen to Miles Davis’s Bitches Brew with little pain (it is, after all, Miles), and I keep finding albums like this, and last week’s from the Agustin Strizzi Group, that I like in spite of them getting pretty weird for a guy like me.
And the reason, I think, is Sesame Street. I watched it as a little kid in the late ’70s, and they often did little bits with jazz/funk/fusion, such as the following:
So, if you like that, you’ll probably like this.
And again, if you did not care for last week’s album, this one is far less melancholy and more upbeat.
Keep On Groovin’ by Federico Palmolella is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 Unported License.