I am in a mood, which usually means I don’t post. But I got pissed at my depression for keeping me from having a post ready to roll, and started flailing around on Jamendo to find something, anything that I could find to fit both my prickliness and yet be a good thing to put in the background to write to.
And I stumbled across cyberpunk by German (of course!) composer Bod, who writes of it:
This 9 track album was completely written with the cyberpunk community in mind. It is intended to be played in the background when playing roleplaying games like Shadowrun or Cyberpunk 2020.
All songs are themed to the Neuromancer trilogy by William Gibson. I tried to mix several genres and keep a mixture between technic and handmade sounds. Again: This album is _not_ intended to be heard with full attention. Turn the volume down and let it sit in the background while playing.
Given my eclectic circle of friends and acquaintances, I find it quite surprising that I’ve never run into music written specifically to be played during roleplaying game sessions before.
Confession: I never liked cyberpunk, despite the fact that I knew then and know now that I should like it, at least some instances of it. Furthermore, I bloody hate William Gibson’s cyberpunk works — which is at least partly a function of how insanely overpraised they were at the time, though I have issues with the style he wrote them in as well. Also, I had a university course in SF, and Neuromancer was presented as the logical endpoint for the genre, bringing it down into the gutter among the outcasts, where the professor averred that it belonged (a frankly weird assertion from a prof who openly loved the genre, but that’s a whole other planet of wax).
Even with those two prejudices of mine working against it, given that the tracks are themed from Gibson’s Sprawl Trilogy, it’s kind of remarkable that this album won me over before the first track was over.
Yes, most of the pieces are repetitious, but that’s down both to their genres and to the fact that this is intended as background music. And the repetition almost always has layers of variation, rather than just being on a loop repeat.
In a lot of ways, this is what the ideal cyberpunk, the subgenre that I wish cyberpunk would be, instead of what it actually was, should sound like. It’s hard-edged, sometimes spiky, but also lulls you into its world — not just dirt and trash and amorality, but chrome and clean plastic and mirrorshades too. It works. It works very well.
cyberpunk by Bod is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.