Bruce McCosar has appeared here twice before, and all of his appearances in Writing Music Monday post-date his apparent disappearance from the internet. His music is still extant, and all under the free culture Attribution-Share Alike license, so his legacy will continue regardless, but when they say “the internet is forever”? It’s not really true.
Of the three McCosar albums I’ve shared to date, this is the second for which he prepared extensive “liner notes”. For La vie sous la mer, he prepared a PDF with everything he wanted to say. Unfortunately, that seems to have been lost when he closed up his blog, and I’ve not been able to find a copy.
For today’s album, archaeologists and musicologists of the future are somewhat more fortunate: McCosar did his notes as a series of pages on his blog, and a portion of them are preserved by the Internet Archive’s Wayback Machine. Basically, any multi-part note has the first part preserved, and the rest seem to be gone.
Apart from that, on the album’s page at Jamendo, he says:
I named this album handmade because all the rhythms were performed using hand percussion instruments: three conga drums, two maracas, and a cowbell. Against this background I have highly melodic improvisation, jazzy chords, and of course a groovin bass line.
I play every instrument you hear on this album—guitar, bass, Hammond organ, keys, and drums.
And as I say above, it all comes off as very mellow. It’s fifty-six and a half minutes of melodic, relaxed tunes that fit in the background very nicely as you’re typing along. OK, maybe not the thing to have playing if you’re writing a horror novel or a nail-biting thriller. But aside from those, I’d say it’s simply one of those perfect writing albums, one that can fit almost any story mood so you can bang away at the keyboard.
handmade by Bruce H. McCosar is licensed under a Creative Commons Attribution-ShareAlike 3.0 International License.